- Page Count: 448
- Release Date: February 7, 2017
- My Rating: 4 stars
Beware the goblin men and the wares they sell.
All her life, nineteen-year-old Liesl has heard tales of the beautiful, mysterious Goblin King. He is the Lord of Mischief, the Ruler Underground, and the muse around which her music is composed. Yet, as Liesl helps shoulder the burden of running her family’s inn, her dreams of composition and childish fancies about the Goblin King must be set aside in favor of more practical concerns.
But when her sister Käthe is taken by the goblins, Liesl journeys to their realm to rescue her sister and return her to the world above. The Goblin King agrees to let Käthe go—for a price. The life of a maiden must be given to the land, in accordance with the old laws. A life for a life, he says. Without sacrifice, nothing good can grow. Without death, there can be no rebirth. In exchange for her sister’s freedom, Liesl offers her hand in marriage to the Goblin King. He accepts.
Down in the Underground, Liesl discovers that the Goblin King still inspires her—musically, physically, emotionally. Yet even as her talent blossoms, Liesl’s life is slowly fading away, the price she paid for becoming the Goblin King’s bride. As the two of them grow closer, they must learn just what it is they are each willing to sacrifice: her life, her music, or the end of the world.
Ok so first things first: I didn’t realize this was a retelling of Labyrinth when I read it and kept thinking that the story reminded me so much of Labyrinth meets Prince Hat Under the Ground, The Goblin Market, and Little Red Riding Hood. So… obviously that worked!
“Once there was a little girl who played her music for a little boy in the wood”
The story takes place somewhere around Austria & Germany in the time of Mozart. Liesl played with the Goblin King in the woods as a child, but eventually forgot about him and his game of asking her to marry him because she became more focused on sacrificing everything to take care of her younger sister and brother. She’s talented at composing music, but is shoved to the side while the spotlight is on her brother’s violin playing. Her attitude is still awesome as she composes for her brother and I LOVED the whole focus on classical music… it just made the setting really vibrant.
The story gets really cool when the Goblin King shows up, takes Liesl’s sister, and alters reality so nobody remembers the sister exists. Liesl’s grandmother is also super
creepyawesome with her cryptic warnings. Basically, the Goblin King tells Liesl she has to play his game and bring her sister back to her world by the next full moon. Lots of weird, cool stuff in the goblin world follows and it’s clear that if a mortal stays there they basically die and can never return to their own world.
And it’s basically impossible to not picture David Bowie.
So I absolutely LOVED the first half so, so much. It’s absolutely gorgeous. But the book had a shift around the middle and something just didn’t totally click with me in the last half. Maybe I personally wasn’t as into the angsty romance, I don’t know. But I did enjoy the story overall and totally recommend it!
I really loved how there was a red cloak and the Goblin King even called himself the wolf. And I can’t wait to see what else S. Jae-Jones writes because her ability to create a magical, gorgeously detailed scene is amazing: “A faint mist wrapped the trees along the path into town, writhing their spindly braces into spectral limbs.”
I was a little confused at the ending because it’s just… over. It felt like someone pulled the plug on the story. But thank you to everyone in the comments for telling mere there’s another book coming! If it’s really a companion novel about her brother, I am SO excited because he was my favorite character. I definitely want more about him.
Thank you to the publisher for sending me an ARC.